Garsinės utopijos: lietuvių muzikos modernėjimo trajektorijos ir kontekstai

Collection:
Mokslo publikacijos / Scientific publications
Document Type:
Knyga / Book
Language:
Lietuvių kalba / Lithuanian
Title:
Garsinės utopijos: lietuvių muzikos modernėjimo trajektorijos ir kontekstai
Alternative Title:
Sonic utopias: trajectories and contexts in Lithuanian music modernization
Authors:
Publication Data:
Vilnius : Lietuvos muzikos ir teatro akademija, 2023.
Pages:
451 p
Contents:
Įvadas — Ankstyvasis lietuvių muzikos avangardo sąjūdis: kultūriniai impulsai ir tarptautinis kontekstas / Rūta Stanevičiūtė — Darmštato vaizdiniai lietuvių muzikos modernėjimo diskurse / Rūta Stanevičiūtė — Mikrodimensinio sąskambio vizijos: mikrotonalumo provaizdžiai ir strategijos lietuvių kompozitorių kūryboje / Rima Povilionienė — Ar įmanoma pabėgti nuo romantizmo? Muzikos atlikimas ir lietuvių atlikėjų muzikavimas / Donatas Katkus — Nepriklausomybės laikotarpio muzikinis diskursas / Vita Gruodytė — Nuo muzikos teatro prie operos be teatro / Vita Gruodytė — Priedai: Summary. Sonic Utopias: Trajectories and Contexts in Lithuanian Music Modernization; Bibliografija; Iliustracijų sąrašas; Asmenvardžių ir vietovardžių rodyklė.
Subject Category:
LT
Muzika / Music.
Summary / Abstract:

LTXX-XXI a. lietuvių muzikoje radikalūs kūrybos, atlikimo praktikos ir savivokos poslinkiai plėtojosi kaip savitas atsakas į tarptautinio avangardo postūmius. Tokios tendencijos energingai pasireiškė XX a. trečiajame dešimtmetyje (J. Kačinskas, V. Bacevičius), septintajame dešimtmetyje (O. Balakauskas, J. Mačiūnas, V. Barkauskas, D. Lapinskas ir kt.) ir atkurtos nepriklausomybės išvakarėse bei ankstyvuoju periodu (R. Mažulis, Š. Nakas, G. Sodeika ir kt.). Knygoje šie skirtingais istoriniais laikotarpiais nacionalinę muzikinę vaizduotę įveiksminę lūžiai interpetuojami kaip konceptualių ryšių siejama, tačiau neįvardyta lietuvių muzikos (trans)avangardo srovė, heterofoniškai išryškinamos kelios viena kitą papildančios konceptualios potemės, selektyviai aptariant lietuvių muzikos meninių ir estetinių revoliucijų atvejus ir jų galimus saitus. Knyga apima bemaž šimtmečio lietuvių muzikos panoramą - nuo XX a. tarpukario ligi pirmųjų XXI a. dešimtmečių.

ENIn the twentieth and twenty-first century, Lithuanian music underwent radical shifts in composition, performance practices, and self-awareness, developed as a specific response to the impulses of the international avant-garde. Such trends manifested themselves in a dynamic way in the 1930s (Jeronimas Kačinskas and Vytautas Bacevičius), in the 1960s (Osvaldas Balakauskas, George Maciunas/Jurgis Mačiūnas, Vytautas Barkauskas, Darius Lapinskas, etc.), and on the eve of the Independence restoration and during its early period (Rytis Mažulis, Šarūnas Nakas, Gintaras Sodeika, etc.). In our monograph, those turning points that enabled the national musical imagination in different historical periods are interpreted as a (trans)avant-garde trend of Lithuanian music shaped through conceptual relationships, however, not named. Avant-garde gestures and practices invaded the modernization of Lithuanian music as unpredictable events, accompanied by declarative rhetoric. Like in a number of countries from the Baltic to the Balkans, beyond the major art metropolises, they hardly got established in the institutionalized music reproduction, although they undoubtedly encouraged change. Perhaps for this reason, the concept of avant-garde and its sequels - neo-, post-, and trans-avant-garde - was, and still is, seldom and timidly used in Lithuanian music criticism. The transformation of the international concept of the avant-garde and the regularly resumed discussion about the divides between modernism and the avant-garde did not resonate in the Lithuanian music modernization discourse. The discourse established in Lithuania is connected with the international avant-garde music rather through the techno-essentialist approach: focusing on the strategies of renewal of technological music resources and adoption and re-creation of new compositional techniques.Lithuanian music culture and Lithuanian emigration milieus tend to reflect the avant-garde-inspired artistic revolutions, i.e. stylistic and technological innovations that opened up new representations of reality. Meanwhile, the aesthetic revolutions associated with the avant-garde, according to the commentators on Jacques Rancière's concept of the "aesthetic art regime," directed artist aspirations toward influencing and transforming the ways in which we experience and live the reality and the world around us. In this way, diverse areas of avant-garde artistic, social, and cultural influence are emerging that encourage the formulation of new questions and still untapped sub-themes for research. The monograph does not seek to provide a new "great narrative" about the impacts of the international avant-garde on Lithuanian music. On the contrary, several complementary conceptual sub-themes are highlighted heterophonically through selective discussions of the cases of artistic and aesthetic revolutions in Lithuanian music and their possible links. The interpretive strategies of the authors are close to the provisions that Piotr Piotrowski aptly called horizontal art historiography: it deconstructs the analytical and geographical categories of international art histories and localizes the centers. For such an approach, not only the artistic and ideological resources of national milieus are important, but also the material and institutional conditions able to ensure the entrenchment and dissemination of artistic ideologies or, conversely, to prevent them. The book presents a panorama of Lithuanian music covering almost a century, from the interwar period in the twentieth century to the first decades of the twenty-first century. Although it does not aim to reveal historical processes in detail, events and phenomena are examined chronologically. [...].

ISBN:
9786098071597
Subject:
Muzikologija / Musicology
Parts:
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https://www.lituanistika.lt/content/48139
Updated:
2025-11-13 11:38:15
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