Įvietinto meno raiška institucinėje erdvėje: Šiuolaikinio meno centro atvejis

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Mokslo publikacijos / Scientific publications
Document Type:
Straipsnis / Article
Lietuvių kalba / Lithuanian
Įvietinto meno raiška institucinėje erdvėje: Šiuolaikinio meno centro atvejis
Alternative Title:
Manifestations of site-specific art in an institutional space: the case of the Contemporary Art Centre
In the Journal:
Acta Academiae Artium Vilnensis [AAAV]. 2014, t. 75, p. 43-52. Kai(p) idėja tampa kūriniu
Reikšminiai žodžiai: Įvietintas menas; Institucija; Institucijų kritika; Šiuolaikinio meno centras; Site-specific art; Institution; Institutional critique; Contemporary Art Centre.
Institucija; Institucijų kritika; Įvietintas menas; Šiuolaikinio meno centras.
Contemporary Art Centre; Institution; Institutional critique; Site-specific art.
Summary / Abstract:

LTStraipsnyje analizuojama įvietinto meno raiška institucinėje erdvėje, pateikiant po kelis konkrečius įvietinto šiuolaikinio meno kūrinių, eksponuotų Šiuolaikinio meno centre (toliau – ŠMC), bei parodų architektūros pavyzdžius. Nagrinėjami etapiniai ir ekspozicinės erdvės įtraukimo bei kvestionavimo prasme inovatyviausi kūriniai. Taip pat šiuo straipsniu siekiama pagrįsti, kad ŠMC yra ne tik viena nuosekliausiai įvietintą meną pristatanti institucija Lietuvoje, bet kartu įvietinto meno strategija jam tampa identitetą bei veiklos programą formuojančiu elementu. [Iš leidinio]

ENThe article analyses site-specific artworks and examples of architecture of exhibitions, in particular those that have proved to be the most innovative in terms of engaging and questioning the exhibition space and those that have entered into a dialogue with the environment and have been specifically created for the space of the Contemporary Art Centre (CAC). Much attention is paid to the relation between an artwork and the space, as well as the specific forms of artistic expression. The author of the article also discusses the way in which, thanks to the artists’ creative practice, site-specific artworks and an art institution become interconnected. A conclusion is reached that the CAC building and its interior spaces are the main source of inspiration for sitespecific artwork and architecture of exhibitions: not only as a "container" of certain physical parameters, but also from the viewpoint of "institutional critique". The building as an exhibition space affects artworks not only physically and semantically, but also encodes important historical facts and institutional conflicts of power, and becomes a bridge between the past and the present. Thus, the way the CAC as an institution and a whole of interior spaces influences the expression and spread of contemporary art in the local context is univocally important, since it is the main venue where international artists show their site-specific artworks, and it has been encouraging and financially supporting Lithuanian artists to create such artworks. Therefore, both the exhibited artworks and architectural decisions of exhibitions confirm that the CAC attaches great importance to the exhibition space. [From the publication]

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2019-02-12 15:05:22
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