Apie ilgąjį hermeneutikos kelią

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Collection:
Mokslo publikacijos / Scientific publications
Document Type:
Straipsnis / Article
Language:
Lietuvių kalba / Lithuanian
Title:
Apie ilgąjį hermeneutikos kelią
Alternative Title:
On the long way of hermeneutics
Authors:
Kačerauskas, Tomas
In the Journal:
Problemos. 2000, t. 58, p. 99-113
Keywords:
LT
Filosofija / Philosophy.
Summary / Abstract:

LTSupratimo teorijos gaivinimas XX a. susijęs su pastangom atskirti dvasios mokslus nuo gamtos mokslų (Gadamer) ir jiems suteikti daugiaprasmę ženklinimo funkciją (Ricoeur). Taip atsiranda simbolio, polisemijos, žaidimo hermeneutinės teorijos, kurių modeliu tampa meno kūrinys. Poezijos kūrinio aiškinimas, apimdamas estetiką ir poetiką, hermeneutiką išplečia ne tik nagrinėjamo objekto (poeziją aiškino ir Dilthey), bet ir turinio atžvilgiu. Remdamasis Gadamerio ir Ricoeuro tekstais, panagrinėsiu šią hermeneutikos slinktį, kurią Ricoeuro žodžiais pavadinau ilguoju hermeneutikos keliu. Drauge bandysiu išryškinti filosofinę poetiką kaip savarankišką discipliną, nors ir susikertančią tiek su hermeneutika, tiek su estetikos teorija. [Iš leidinio]Reikšminiai žodžiai: Hermeneutika; Filosofinė poetika; Estetika; Semantika; Subjektas; Hermeneutics; Philosophical poetics; Aesthetic; Semantic; Subject.

ENLong way of hermeneutics (Ricoeur’s term) is investigated as a semantic, an aesthetic and a poetic reflection in the article. Ricoeur’s theory of symbol and polysemy is the semantic going round. Gadamer’s dimensions of playing, imitation and recognition in a piece of art is the aesthetic going round. The poetic going round links both Ricoeur and Gadamer. The author shows the double content of philosophical poetics. It is the creative direction and the tragedy of the subject. Furthermore, the author analyses Gadamer's crossing of aesthetic and poetics. According to the author, Gadamer tries to give an ontological aspect to a piece of art. The art is tragic being. In this way a piece of art becomes a model of hermeneutics. In the same way it is possible to define philosophical poetics. Philosophical poetics and aesthetic cross each other. They do not coincide with each other. The author shows seven aspects of Gadamer’s philosophical poetics. It is the unit of meaning and sound, recognition of the self, the horizon of understanding during the reading, ontology, has no progress and no errors, it is a model of hermeneutics, it includes the tragedy of the human being. [From the publication]

DOI:
10.15388/Problemos.2000.58.6812
ISSN:
1392-1126; 2424-6158
Subject:
Filosofija / Philosophy
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https://www.lituanistika.lt/content/84666
Updated:
2020-05-04 11:53:47
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