Rašymo integralumas Czesławo Miłoszo eseistikoje

LTStraipsnyje Czesławo Miłoszo eseistikos metodo ir savybių analizė derinama su dekonstrukcijos idėjomis, ženklo ir teksto problemomis, koncepto sąvoka. Literatūros teorija įvardija esė kaip įvairių pasaulėžvalgų integralumą, gebėjimą apžvelgti pasaulį. Esė turinys vystosi pats iš savęs, tampa savęs suvokimu ir savo teorijos pagrindimu. Czesławas Miłoszas rašymo kaip nulinės disciplinos sampratą apibūdina taip: rašyti apie tam tikrą obuolį, tačiau kartu aprašyti jo esmę, „obuoliškumą”. Kiekvienas atskiras daiktas, objektas bei subjektas turi būti atskleistas kaip visuma, kurios reikšmė neatsiejama nuo pasaulėtvarkos. Eseistikoje tokia strategija taikoma įvardyti esmę – sukurti ne kokybinius, o substancinius ženklus. [Iš leidinio]Reikšminiai žodžiai: Dekonstrukcija; Esė; Integralumas; Kalba; Konceptualizacija; Kultūra; Lietuvos lenkų literatūra; Refleksija; Česlovas Milošas (Czeslaw Milosz); Conceptualization; Culture; Czeslaw Milosz; Deconstruction; Essay; Essayism; Integrity; Language; Polish literature of Lithuania; Reflection; Scripture.

ENEssayistic discourse is a special quality of contemporary culture. The union of philosophy, literature and science can be argued to be present here. In the paper, the method and quality of the essayism of Czesław Miłosz is related to the ideas of deconstruction and to the issues of sign, language and text. An essayist discusses the object generally, a species, but not the typical features. In essay, the aim is not the interpretation of an object in the sign but maximum formalization of its reflection, i.e. the achievement of the ideal form. In his essays, Czesław Miłosz concentrates on the language as a way of conceptualization: he sympathizes and he takes understanding of language as one of the core intellectual concepts of contemporary culture. He sees the sign as an autonomous reality with its interior structure. Any text is shaped by word and exists “in itself and for itself”. An essay offers a convenient generic space for the competition of reality and relativity, for the introduction of text into life and vice versa. The world is enclosed in the literary work, and the word is inseparable from the concept. According to Czesław Miłosz, language is in special relationship with the world of culture. He admits that in specific cultures specific rules of linguistic games and specific mythologies, both cultural and ideological, exist. The treatment of a language as a phenomenon giving birth is also understandable to Czesław Miłosz. Pretentious movement of the idea proceeding through a number of various facts, phenomena and ideas are typical of the philosopher. It requires erudition and activates thinking; it shapes its reader-recipient and involves him into the specific relations of play. [From the publication]