Nepriklausomybės laikotarpio muzikis diskursas

EN[...] In the chapter Musical discourse in the period of restoration on independence, Vita Gruodytė explores the connections of Lithuanian music with the processes of political change in the period of 1985 to 1995. Creation dveloped in the rhythm of political change: promarily took place in the concepts of a creative act and the artist's position in society rather than in styles or genres. Improvisation, spontaneity, collectivity, anonymity, and hybridization of genres and materials became new creative tools. With the focus on independent festivals initiated by young composers and musicologists and the actualization of the Fluxus trend, Gruodytė discusses the forms of happenings, performances, actions, and spontaneous realizations that helped to implement the newly born need for renewal. The art of festivals was adjusted to the specificity of the transitional political period through the acquisition of the forms of change, uncertainty, fluctuation, and processuality. The search for the boundaries and divides between "art" and "non-art" in Lithuanian music finally ended together with the wave of the first independent festivals in the late 20th century. [...].