ENRestorer of antique furniture often faces the problem - the restoration of lost furniture components. In today's context, it is important not only properly preserve and restore antique furniture, but also to return aesthetic view, provide educational and educative meaning. As you try to restore missing components, there is always a delicate boundary, beyond which you can damage the exhibit, but also distort the authentic craftsman's conception. It is important to realize that the lost furniture's components - is a restorer's attempt to rebuild the overall picture as a whole indication of the past, but don't make a claim to historic or artistic value. During preparation before restoration furniture's component, it is important to take into account several factors. In particular, the distinct artwork's features and it's history. It must be studied in detail, to evaluate the degree of deterioration, analyze stylistic features, refer to historical, archival or iconographic information, to go over many books and albums looking for analogue antique furniture. Restorer must be able to foresee the want of reproducible components. Missing furniture's component - is not enough to restore it. Newly rebuild fragments must not interfere with exhibit's "shine". During restoration restorer must not restore components in creative manner. Creativity - it is a privilege of the author. Restorer's privilege - to contribute the viewer's grasp to the very object, to restore a tenable whole piece of furniture, which had been lost affected by external factors.The amount of recoverable components in antique furniture restoration is very wide-ranging. It is not always possible to restore easy removable components, such as veneered surfaces, intarsias or Boulle's type components, however in all cases during restoration restorer must document all information about newly restored components and details. Recovery of missing components is not advisable. It is questionable whether it is necessary to restore not remained components of antique furniture produced by well known craftsmen and furniture studios. The same is true of the memorial exhibits - a unique historical furniture or furniture belonged to any prominent person. Mentioned furniture requires very thorough investigation. That type of furniture should be only preserved, and the recovery of components permitted only in exceptional cases - when missing fragments have analogues in the same piece of furniture. In memorial furniture every detail significant, from scratches to furniture fabrics. Each detail essential which can be related to previous owner and his furniture. Some furniture needs necessary restoration. Most often it is furniture which components largely lost. In this category falls, furniture with common simple and predictable design, which reconstruction is simple, based on the classic and often repeatable motifs. The other category of furniture that needs refinement - exclusive furniture - requires more comprehensive studies and more informative search for analogues.[...].