Tarp dvaro ir miesto: stilistinė XIX a. Lietuvos dvarininkų muzikinių pomėgių kaita

LTStraipsnyje įvardyti būdingiausi XIX a. Lietuvos dvarų muzikinio repertuaro bruožai. Konstatuojami dvarininkų ir miestiečių muzikinių pomėgių skirtumai, vertinami stilistiniai tuomet skambėjusios muzikos pokyčiai. Peržvelgiama dvaruose naudota muzikinė pedagoginė literatūra. Sprendžiama muzikinio dvarų repertuaro identifikavimo problema. [Iš leidinio]Reikšminiai žodžiai: Dvaras; Dvarų muzikinė kultūra; Lietuvos muzikinė kultūra XIX amžiuje; Muzikinis repertuaras; Muzikinė kultūra; Muzikinė lituanika; Romantizmas; 19 amžius; 19th century; Lithuania; Lithuanian musical culture of the 19th century; Lithuanian national music; Manor; Manorial musical culture; Musical culture; Musical repertoire; Romanticism.

ENThis time the subject of the manorial musical culture already studied by the author is addressed with the purpose of discussing the musical repertoire of the 19th century Lithuanian manors in a more detailed way. The article interprets the processes of musical movement democratization and approaching the town level. The problem of musical repertoire identification is solved. The article is new in respect of facts and original in respect of the material (sheet music documents) used as the sources that enable to make wide-ranging conclusions and to reveal a general view of the Lithuanian musical culture of that time. It is stated that the 19th century Lithuanian manors developed a diverse musical repertoire of the common European nature. As the century went by, some features of the Lithuanian manorial music performance and musical repertoire remained substantially unchanged (occasional musical compositions for noblemen and bandmasters were still popular, musical dedications were enjoyed). However, manorial music performance underwent socially and culturally motivated transformations. The manorial music movement was approaching the town level. The alienation that occurred between the manorial and town music as well as the musical repertoire was based on the social differentiation among the landlords, i.e. the Lithuanian manor lords, who held orchestras, preferred large compositions, whereas the minor gentry were in favour of transcriptions. During the inter-rebellion period Romanticism took root in music. The 19th century Lithuanian manorial musical repertoire determined by topographic and common cultural factors was influenced by local historical circumstances and musical inflow of the neighbouring countries.The gentry, particularly the progressive part of it, started showing interest in national music, Lithuanian folklore songs. The common European music teaching literature was used. The professional liberation of a Lithuanian musician is not only reflected by the creation of manor band players but also by the pursuit for self-education. The musical repertoire of the 19th century Lithuanian towns and townships is undoubtedly more diverse, stylistically more topical and livelier. Stylistic changes in the music played in the town are more distinct and the range of the music teaching literature is wider. Town-dwellers’ likings for music flexibly responded to the change in the common European musical repertoire and eventually predicted the national renewal of musical culture. The manorial music performance developing under the existing conditions was mainly affected by individual likings and tastes of the nobility. The musical repertoire of manors reveals a general stylistic transformation of the 19th century Lithuanian musical movement – the society democratized, the epoch of music underwent changes and the taste for genres varied, too. [From the publication]

• Muzikologija / Musicology
• Menotyra / Arts
• Istorija / History