Marcelijaus Martinaičio eilėraščių rinkinio "K. B. įtariamas" pasaulėvaizdis

LTStraipsnio tikslas – aptarti postmodernaus miesto pasaulėvaizdžio bruožus Marcelijaus Martinaičio rinkinyje „K.B. įtariamas“. Analizuojant taikoma mitopoetinės kritikos ir J. Lotmano semiotikos teorijos. Pasaulėvaizdis, anot Jurijaus Lotmano, yra kultūros tekstas, universalus tikrovės modelis konkrečios kultūros požiūriu. Teksto semiosferoje kultūros tekstas atsispindi veidrodinio mechanizmo principu per simetrijos-asimetrijos opoziciją, tad konkrečios kultūros vaizdas skiriasi nuo atvaizdo. Iškyla problema: koks kultūros modelis (socialinis, istorinis, ideologinis) atsispindi rinkinyje, kokia metakalba aprašomas, kaip skaidosi dinamiškas personažas K.B. ir kokias pasaulėvaizdžio prasmes suponuoja dialogas. Mitinis personažas pseudonimu K.B. – Kukučio, pažįstamo iš „Kukučio baladžių“, antrininkas, – fokusuoja postsovietinę tikrovę. Judrus veikėjas K.B. skirtingose erdvėse skaidosi į personažo variantus. Pasitelkęs mitinę bei istorinę sąmonę, kuria siužetą, formuoja nejudraus pasaulio universumą pirminiame steigties laike ir kartu dėlioja dinamiško pasaulio vaizdą linijiniame laike. „K.B. įtariamas“ įdomus ne tik paradoksaliu postmoderno pasaulėvaizdžiu, bet ir miestą vertinančia prasmių skale bei savo paties personažų daugiu. Dėmesį patraukia kamerinėje sąmonėje vykstantis dialogas tarp kultūros teksto, individualios ir kolektyvinės patirties.

ENThe article aims at discussing the parameters of postmodern city worldview in Marcelijus Martinaitis' collection of poems K.B. Suspect (K.B. įtariamas). The theories of mythopoetic critique and Lotman's semiotics are applied in the present analysis. According to Lotman, the worldview is a cultural text, a universal model of reality in respect of a particular culture. In textual semiosphere, the cultural text is reflected as a mirror-image through the opposition of symmetry-asymmetry; thus the image of a particular culture considerably differs from its reflection. Therefore, the following problematic issues are being addressed: what cultural model (social, historical, ideological) is reflected in the collection of poems, what language is used to portray K.В., how does the dynamic character of K.B. resolve into different parts and what worldview meanings does the dialogue presuppose. The mythical character under the pseudonym K.B. is the double of Kukutis, the character known from Kukutis Ballads, and K.B. focuses on post Soviet reality. Kukutis and K.B. are similar in their inner "I", which distinguishes in its quite primitive and naive thinking analogical to mythical image thinking and asexuality. Both of them are human beings and demiurges at the same time belonging to cultural and non cultural space respectively. In different spaces, the brisk character K.B. resolves into various invariants of the same character.The characters' ambivalence indicates the type of Soviet and post Soviet person. Having employed the mythical and historical consciousness, K.B. constructs the plot, forms the Universum of immobile world at the start time and creates dynamic world image in linear time. The postmodern prophet conceives the world as a primal text which multiplies in geometric progression. The dynamic world is represented by the character's invariants - such social individuals comprising the sememe of curvature as the archaeologist K. B. – Pliugžma, the Author-artist, the Author-reader, Margarita, Nephertiti, Severiutė, anonyms of postmodernism and the abstract Homo sapiens. The character and the worldview in the space of semiotic text contain the sememes of eternity and death, curvature and beauty. K.B. Suspect attracts the readers' attention not only because of its paradoxical postmodern Worldview but also because of the wide scale of city evaluating meanings as well as the substantial amount of characters. The dialogue performed in the chamber consciousness between the cultural text, individual and collective experience becomes the constant focus of the reader.