LT2014 m. Nacionalinės M. K. Čiurlionio dailės muziejus Kaune surengė Boleslovos ir Edmundo Zdanauskų fotografijų parodą „Iš nežinios į nežinią. Antrojo Pasaulinio karo atbėgėliai Lietuvoje". Prieš 75 metus Antrojo pasaulinio karo pabėgėliai, traukdamiesi iš 1939 m. rugsėjo 1 d. Vokietijos užpultos Lenkijos miniomis užplūdo Lietuvą. Parodoje pirmą kartą eksponuotas 76 fotografijų rinkinys, saugomas muziejaus Fonotekos ir dokumentacijos skyriuje. Fotografų šeima Draugijos Vilniaus kraštui remti užsakymu įamžino 1939-ųjų pabaigoje – 1940-ųjų pradžioje Vilniuje tvyrojusią atmosferą. Lietuvos respublikai, vos tik atgavusiai Vilnių, teko spręsti daugybę su atvykėliais susijusių problemų: saugumo, registracijos, apgyvendinimo, maitinimo, pašalpų skyrimo, medicinos paslaugų teikimo, našlaičių priežiūros, švietimo ir kitų. Parodos kataloge publikuojamos fotografijos ir jų nugarinėse pusėse atspausdinti autentiški to meto užrašai atskleidžia socialinius, visuomeninius, kultūrinius ir emocinius-psichologinius atbėgėlių gyvenimo Vilniuje aspektus bei visuomeninių organizacijų ir draugijų, tokių kaip Raudonasis kryžius, Vilniaus lietuvių labdarybės draugija, Moterų globos komitetas ir kt., veiklos svarbą ištiesiant pagalbos ranką negandų parblokštiems žmonėms.
ENThis year, on September 2, the entire world commemorated the 70-year anniversary ofthe conclusion of World War 2. A year ago we remembered that 75 years had passed since Lithuania got inundated by World War 2 refugees escaping from Poland invaded by Germany. The perspective oftime shows that today the mankind is taking the exams ofsurvival again. The world is suffering from unrests, wars are going on, and people escaping from the all-destroying menace leave the deceased relatives, their homes and their homeland behind in a desperate struggle to find a place to hide, to discover a shelter, to protect themselves as well as the surviving family members. The countries living in peace are facing a dilemma: what to do with the affluence of refugees: to turn them away or to accept them. These countries are thus made to reconsider the established values. In 2014, M. K. Čiurlionis National Museum of Art held an exhibition of photographs taken by Edmundas Zdanauskas and his wife Boleslava “From Unknown to Unknown: World War 2 Refugees in Lithuania”. This collection of photos had never been exhibited before, and it was being shown to the public in Kaunas from November 6, 2014 to January 18, 2015. However, these days, in the age ofinformation technologies, we were presented with an opportunity of introducing the digitalized views in the virtual space before exhibiting them at the exposition. Aidas Kulbokas, a curator of the Department of Photography and Documentation, digitalized and presented 58 pictures ofwar refugees and the relevant data to the database of Lithuanian Integral Museum Information System (LIMIS). These pictures were selected for the international project of digitalization Europeana Photography and are posted at the website http://www.europeana.eu/portal.The collection of photos which found its way to the museum during the years of war (in 1940?) reveals the routine of the war refugees ofthe time which was heavily affected by the complicated relationships of the concerned states - which still happens to echo today. A family of photographers - Edmundas Zdanauskas (1905-1984) and his wife Boleslava Zdanauskienė (nėe Tallat-Kelpšaitė, 1908-1982) - recorded the mood lingering in Vilnius at the end of 1939 and the beginning of 1940. In 1945 they were repatriated to Gdynia. Boleslava Zdanauskienė was a daughter of the prominent photographer Janina Taliat-Kelpšienė. She grew up in Kaunas and moved to Vilnius to study the art of photography and light at the prominent Polish-Lithuanian photography artist Jan Bułhak (1876-1950). She settled in Vilnius and got married with her study mate and another student of the same artist Edmund Zdanowski (Lithuanian version: Edmundas Zdanauskas).